Find the through-line
Whether the input is a tournament, an expert interview, a product story or a performance brief, I look for the one idea that gives everything else a reason to exist.
Creative leadership, content strategy and premium production across television, sports, OTT, digital and branded content.
I’ve spent my career somewhere between an idea and the screen.
For over a decade, I’ve worked across television, live sports, OTT, digital and branded content, taking ideas from concept to execution across some of India’s leading media networks and platforms.
The formats changed. The question didn’t: what is the story, who is it for, and what will make them care?
Not a highlight reel of titles. A cross-section of long-form storytelling, mass-market campaigns, sports, OTT and brand work.
Whether the input is a tournament, an expert interview, a product story or a performance brief, I look for the one idea that gives everything else a reason to exist.
At Discovery and Starweaver, the job often meant translating specialist, factual or technical material into something clear, culturally relevant and watchable without flattening it.
Good ideas have to survive schedules, approvals, edits, budgets, partners and hundreds of outputs. I build the operating rhythm that lets craft hold up under pressure.
Audience response, platform behaviour and performance data sharpen judgment. They should inform the creative, not replace the person making the call.
Six years inside India’s biggest sports ecosystem: live tournaments, original shows, launch films, branded integrations and digital franchises across television, Hotstar and social.
digital assets a month at peak, across editors, motion designers, producers, vendors and live-event dependencies.
major projects annually across marquee sports properties and audience-facing formats.
Entertainment, factual, lifestyle and regional content across network television, digital and multilingual adaptation.
Built and led a 12-person team across writers, designers, editors and production. Connected brand storytelling with Meta performance signals, creative reviews and repeatable production rhythms.
Led the two-season, 12-episode Meet the Gurus series across India, the US and Europe, and built a modular content pipeline that turned long-form conversations into 50+ platform-native assets.
AI is useful for expanding options, pressure-testing structure and accelerating iteration. The judgment about what the story is stays human.
Current toolkit includes ChatGPT, Claude, Runway ML, ElevenLabs, Descript and CapCut AI, used inside a human-reviewed creative process.
Filter by chapter. Cards with a public destination open the official YouTube, Hotstar, Discovery+ or brand page.
For over a decade, I’ve worked across television, live sports, OTT, digital and branded content, taking ideas from concept to screen across some of India’s leading media networks and platforms.
My experience spans the full creative and production spectrum: large-scale live sporting events, premium originals, digital-first formats, documentaries, branded films, regional launches and fast-turnaround production.
I’ve worked with big budgets, tight deadlines, large teams and almost no resources. In studios, stadiums, control rooms, on location and remotely. Across English, Hindi and Tamil.
What I enjoy most is the space between an idea and the finished piece: figuring out what the story needs, bringing the right people together, solving the production problems and finding the creative detail that makes something work.
Available for senior creative, content, media and production opportunities.